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Tuckerman, Bayard

"A History of English Prose Fiction"

[78]
That portion of the "Arcadia" which relates to pastoral life owes its
origin to Spanish and Portuguese works. But there were not wanting to
Sidney's experience actual examples of that peaceful existence to
which, in troubled times, men have so often turned as a pleasing
contrast to their own cares, and dangers. The shepherds of the Sussex
Downs, pursuing through centuries their simple vocation, unheeded by
the world, untouched by revolution or civil war, tended their sheep
with little thought or knowledge of the world beyond the downs, and
presented to the poet a picture of calm content, in pleasing contrast
to the active or terrible incidents which more frequently made up the
sum both of romance and of actual life. The shepherds of the "Arcadia"
make even less pretence to reality than the martial heroes. They are
usually poets and musicians; speaking in courtly phrases, and occupied
with amorous adventures, they serve sometimes to relieve, and sometimes
to heighten, the more stirring scenes.
A third element in the "Arcadia" is the comic, and with this, as might
be expected from the rather crude ideas of humor prevalent in the
sixteenth century, Sidney met with indifferent success. The wit depends
on the ugliness, the perversity, and the clownish character of Dametas,
his wife, and their daughter Mopsa.


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