For this Reason the Works of Ancient Authors,
which are written in dead Languages, have a great Advantage over those
which are written in Languages that are now spoken. Were there any mean
Phrases or Idioms in Virgil and Homer, they would not shock the Ear of
the most delicate Modern Reader, so much as they would have done that of
an old Greek or Roman, because we never hear them pronounced in our
Streets, or in ordinary Conversation.
It is not therefore sufficient, that the Language of an Epic Poem be
Perspicuous, unless it be also Sublime. To this end it ought to deviate
from the common Forms and ordinary Phrases of Speech. The Judgment of a
Poet very much discovers it self in shunning the common Roads of
Expression, without falling into such ways of Speech as may seem stiff
and unnatural; he must not swell into a false Sublime, by endeavouring
to avoid the other Extream. Among the Greeks, AEschylus, and sometimes
Sophocles, were guilty of this Fault; among the Latins, Claudian and
Statius; and among our own Countrymen, Shakespear and Lee. In these
Authors the Affectation of Greatness often hurts the Perspicuity of the
Stile, as in many others the Endeavour after Perspicuity prejudices its
Greatness.
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