Besides, if I HAVE a subject (and I have) I claim to approach it in a
roundabout manner.
You remember Balzac's tale of the Peau de Chagrin, and how every time
the possessor used it for the accomplishment of some wish the fairy Peau
shrank a little and the owner's life correspondingly shortened? I have
such a desire to be well with my public that I am actually giving up
my favorite story. I am killing my goose, I know I am. I can't tell
my story of the children in black after this; after printing it, and
sending it through the country. When they are gone to the printer's
these little things become public property. I take their hands. I bless
them. I say, "Good-by, my little dears." I am quite sorry to part with
them: but the fact is, I have told all my friends about them already,
and don't dare to take them about with me any more.
Now every word is true of this little anecdote, and I submit that there
lies in it a most curious and exciting little mystery. I am like a man
who gives you the last bottle of his '25 claret. It is the pride of his
cellar; he knows it, and he has a right to praise it. He takes up the
bottle, fashioned so slenderly--takes it up tenderly, cants it with
care, places it before his friends, declares how good it is, with honest
pride, and wishes he had a hundred dozen bottles more of the same wine
in his cellar.
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